Casting Jim Carrey as Scrooge in a big screen version of A Christmas Carol seems such a good idea you wonder why no one thought of it before. Fortunately director Robert Zemeckis did think of it and the result is Disney’s A Christmas Carol, which finds the superstar actor playing the ill-tempered miser who is haunted by the Ghosts of Christmas Past, Present and Yet To Come and taught the true meaning of the holiday season.
Carrey actually plays all three ghosts as well, while several of his
fellow cast members, who include Colin Firth, Gary Oldman, Robin Wright
Penn and Robert Hoskins, also have multiple roles.
We spoke to Carrey at the Cannes Film Festival where Robert Zemeckis and
his star screened several minutes of their new 3D film – at that point
still a work in progress – to an enthusiastic, spectacle-wearing
audience while outside Disney defied the Mediterranean temperatures by
laying on a wintry photo-op complete with Dickensian horses and
carriages and a heavy fall of snow.
“The great thing about playing Scrooge is that everyone has a little of
bit of Scrooge in them,” says the Carrey, who previously put a damper on
the holiday season in How The Grinch Stole Christmas and whose other
credits – such as Liar, Liar; Bruce Almighty; Eternal Sunshine of the
Spotless Mind and Yes Man – you probably don’t need to be reminded of.
“My inner Scrooge rears its head on a day-to-day basis,” the actor
confides darkly, though he’s seems all charm to us.
Q: A Christmas Carol was published more than 150 years ago. Why do think it’s still so popular?
A: It’s one of the greatest stories of transformation and
redemption ever written and it’s themes are truly universal. I think
everyone can relate to the idea of someone who doesn’t feel loved and
therefore doesn’t return love. Scrooge is faced with looking at his
life, at the life he’s had and how his life is going to be if he doesn’t
change, and of course that’s shown in a very fantastical way with all
these ghosts who visit him, but who hasn’t had a glimpse of that in
their own lives? Who hasn’t looked at the future and gone ‘Wow! I have
to get it together!’
Q: Do you remember reading the story or seeing a film version when you were a child?
A: Yes, my introduction to A Christmas Carol was the version
starring the British actor Alastair Sim [from 1951]. He did such an
amazing job of bringing Scrooge to life. It was like he had a bad taste
in his mouth the whole time and he was so bitter to the core that you
felt his pain in such an excruciating way, and that’s what I wanted to
bring to this: the bitterness that a loveless life brings to someone.
There’s that expression that by the time you’re fifty you have the face
you deserve, and I certainly believe that your thoughts and your
feelings do eventually form your looks. Scrooge is like a road map of
Q: You mentioned the Alastair Sim film of “A Christmas Carol,” which
is just one of something like fifty or sixty different film versions.
Did you have to be convinced that Robert Zemeckis had an approach that
made the story worth telling again?
A: When you can bring a story to people in a way that hasn’t
been seen before so that it leaps out of the screen and really touches
them, then that’s exciting to me. I’ve followed all of Robert’s films –
Roger Rabbit, Cast Away, The Polar Express and so on – and his artistry
is such that I knew he could do something original.
Q: Scrooge is a truly iconic character. What was the best part of playing him?
A: I really love getting inside the head of a character, which probably
sounds like a cliché but I’ve always liked psychology and trying to
understand why people become who they are. I also liked Robert’s idea
that I should play all the spirits, which I believe is brilliant because
all the different spirits could just be different aspects of Scrooge’s
character. So it’s all very Freudian [laughs].
Q: You also had to play Scrooge at different ages…
A: If you look at it like that, it’s about eight different
characters because I had to have the mentality of a seven-year-old
Scrooge and then the slightly older adolescent Scrooge, who suddenly
realises that no one is going to pick him up from the orphanage when
everybody else has somewhere else to go, and so on. And, of course, your
voice changes as you get older, which was a challenge in itself, as
well as several different accents for the spirits.
Q: And how did you think you did with the British accent?
A: I just hope I pulled it off and I’m not going to cause an international incident of some sort [laughs].
Q: How about the technical aspects of the film? It’s a performance capture film, which I don’t think is very well understood…
A: No, I think people think it’s like voice-over work, but I’d
say it’s more like doing a play. All the actors are in a room together
and give a complete performance that is captured by a camera. It’s just
that those images are then processed by computer to give the film its
Q: So it feels quite natural?
A: Yes, apart from the fact that you have to wear a strange
spandex suit and something that looks like a bicycle helmet that has
several cameras in it, which is odd when you’re doing close-ups. I had
some scenes with Robin Wright Penn that were just clank, clank, clank.
It was like we were locking antlers.
Q: Finally, I wonder if you think there is a moral behind A Christmas
Carol and how you would express it? Also, do you have a favourite
A: I think the moral of the tale is to love: to love yourself and
to love the people around you and to know that you can make a
difference in someone else’s life. My favourite Christmas memory is from
my childhood. My big thing was that I couldn’t wait to lay under the
tree and squint my eyes up at the lights. I also liked to listen to
Johnny Mathis and all those other Christmas songs that just never got
old as far as I was concerned.
** Interview courtesy of Disney Home Entertainment **
A Christmas Carol is available on Disney DVD and Blu-ray on 24 November, 2010.